memories in the refrigerator

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Julie Rohan Zoch

 

Afternoon Memory


by Gary Soto

Sometimes I’ll look in the refrigerator


And decide that the mustard is vaguely familiar

,
And that the jar of Spanish olives is new to me.


What’s this gathering? The butter


And salsa, the two kinds of tortillas


And, in back, the fat-waisted Mrs. Butterworth.


I’ll study the plate of cross-legged chicken,


And close the refrigerator and lean on the kitchen counter.


Is this old age? The faucet drips

.
The linoleum blisters when you walk on it.


The magnets on the refrigerator crawl down


With the gravity of expired coupons and doctor bills.


Sometimes I’ll roll my tongue in my mouth.


Is this thirst or desire?

Is this pain


Or my foot going to sleep? I know the factory


Inside my stomach has gone quiet.


My hair falls as I stand. My lungs are bean plants


Of disappearing air. My body sends signals, like now:


A healthy fleck is floating across my vision.


I watch it cross. It’s going to attack a virus


On the right side of my body


And, later, travel down my throat to take care of knee

sour liver,Little latch of hurt. I swallow three times.


I have to help my body parts. Fellas, sour liver


And trusty kidney, I’m full of hope.


I open the refrigerator.


blow dart of bran,I’ve seen this stuff before. What’s this?


The blow dart of bran? Chinese ginger?


No, fellas, they’re carrots. The orange, I hear,


Is good for your eyes.

 
“Afternoon Memory” by Gary Soto from New and Selected Poems. © Chronicle Books, 1995

fainting with shock

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jeanne paints on her iPad

By the Bus Stop

I fainted when I stepped off the bus 

at 16 years of age. My boyfriend, Ray, showed

up at the corner in Woodhaven, all the way from

Bayridge, in the middle of the day. We were so taken with each other.

But, I chose to enter the convent, and we continued in chastity

to be friends of families and the social circle. Later we met again,

and he advised me on my relationships with men.

Now he appears nightly in my dreams, at 79 years of age.

Imagination endures.

 

The Speaker
 by Louis Jenkins
The speaker points out that we don’t really have much of 
a grasp of things, not only the big things, the important
 questions, but the small everyday things. “How many steps
 up to your front door? What kind of tree grows in your 
backyard? What is the name of your district representative? 
What is your wife’s shoe size? Can you tell me the color of 
your sweetheart’s eyes? Do you remember where you parked 
the car?” The evidence is overwhelming. Most of us never
truly experience life. “We drift through life in a daydream, 
missing the true richness and joy that life has to offer.” When 
the speaker has finished we gather around to sing a few 
inspirational songs. You and I stand at the back of the group 
and hum along since we have forgotten most of the words.
 
Louis Jenkins, “The Speaker” from Just Above Water. Copyright © 1997 by Louis Jenkins. Used by permission of The Permissions Company, LLC on behalf Holy Cow! Press, http://www.holycowpress.org.

laughter and howl

lifeIsTooShortForBoring

 

Nurture
by Maxine Kumin

From a documentary on marsupials I learn
that a pillowcase makes a fine
substitute pouch for an orphaned kangaroo.
I am drawn to such dramas of animal rescue.
They are warm in the throat. I suffer, the critic proclaims,
from an overabundance of maternal genes.
Bring me your fallen fledgling, your bummer lamb,
lead the abused, the starvelings, into my barn.
Advise the hunted deer to leap into my corn.
And had there been a wild child—
filthy and fierce as a ferret, he is called
in one nineteenth-century account—
a wild child to love, it is safe to assume,
given my fireside inked with paw prints,
there would have been room.
Think of the language we two, same and not-same,
might have constructed from sign,
scratch, grimace, grunt, vowel:
Laughter our first noun, and our long verb, howl.
 
“Nurture” by Maxine Kumin from Selected Poems: 1960-1990. W. W. Norton, © 1997. Reprinted with the permission of the estate of Maxine Kumin.

 

It’s the birthday of the author Helen Churchill Candee, née Hungerford, in New York City (1858). One of her early books was a how-to guide, How Women May Earn a Living (1900). Her husband, Edward Candee, was abusive, and she eventually took the children and left him. As a single working mother, she wanted to make sure that other women could find ways to support themselves without relying on men. She wrote books on decorative arts, and also published a novel, An Oklahoma Romance, in 1901.
Once she was established as a writer, Candee moved to Washington, D.C., and became one of the first professional interior decorators; several high-powered politicians, including Theodore Roosevelt, were her clients.
She was in Europe early in 1912 when she received word that her son, Harold, had been injured in an accident. Naturally, she wanted to return home as soon as possible. From Cherbourg, she boarded a brand new luxury liner, the RMS Titanic, bound for New York. When the ship struck an iceberg near midnight on April 14 and began to sink, Candee boarded Lifeboat Six, under the command of quartermaster Robert Hitchens. She tried to persuade him to go back after the ship went down, to search for any survivors, but he refused. She wrote a dramatized account of the voyage for Collier’s Weekly magazine, about an unnamed man and woman. The story, called “Sealed Orders,” included a romantic sunset visit to the bow of the great ship, and it may have inspired parts of James Cameron’s movie Titanic (1997).

Far from the kisses…

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Gate C22
by Ellen Bass

At gate C22 in the Portland airport


a man in a broad-band leather hat kissed


a woman arriving from Orange County.


They kissed and kissed and kissed. Long after


the other passengers clicked the handles of their carry-ons


and wheeled briskly toward short-term parking,


the couple stood there, arms wrapped around each other


like he’d just staggered off the boat at Ellis Island,


like she’d been released at last from ICU, snapped


out of a coma, survived bone cancer, made it down


from Annapurna in only the clothes she was wearing.
Neither of them was young. His beard was gray.


She carried a few extra pounds you could imagine


her saying she had to lose. But they kissed lavish


kisses like the ocean in the early morning,


the way it gathers and swells, sucking


each rock under, swallowing it


again and again. We were all watching—


passengers waiting for the delayed flight


to San Jose, the stewardesses, the pilots,


the aproned woman icing Cinnabons, the man selling


sunglasses. We couldn’t look away. We could


taste the kisses crushed in our mouths.
But the best part was his face. When he drew back


and looked at her, his smile soft with wonder, almost


as though he were a mother still open from giving birth,


as your mother must have looked at you, no matter


what happened after—if she beat you or left you or


you’re lonely now—you once lay there, the vernix


not yet wiped off, and someone gazed at you


as if you were the first sunrise seen from the Earth

.
The whole wing of the airport hushed,


all of us trying to slip into that woman’s middle-aged body,


her plaid Bermuda shorts, sleeveless blouse, glasses,


little gold hoop earrings, tilting our heads up.

 
Ellen Bass, “Gate C22″ from The Human Line. Copyright © 2007

Subway Ride

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optical illusion

two poems about the subway:

 

 

5AM Subway Ride to School

.

Got the trombone

in its case

backpack on my “hump”

.
Squeezing

through the doors

’til angry

rubber thumps-

.
jumps its rubber lips

firm shut!

an IRT, IND, BMT

subway bite-

.
A real life squeeze

IN REAL LIFE

IRL

.
Frankenstein

freaky, scary,

TO BE HONEST

TBH

trip.

by Jeanne Poland

 

Rush Hour 
by Anita Pulier

Dressed for work,
silk blouse, gold necklace,
short pleated skirt, sheer black stockings,
backless high heel summer sandals,
she waits with hordes of subway commuters.
As the doors open she raises her sandaled foot 
to step into the train, then watches
as her shoe slips off and tumbles
 down the dark gap between train and platform.
 Doors about to close, she makes her decision
to continue one-shoed, improvising a one-footed ballet
 on the grimy stage
 of a speeding express train.
All eyes are now on her,
 her choreography, her
 en pointe shoelessness, her
 uneven grace and courage,
an entire subway car watching
 this debut, questioning,
how will she navigate
the station, the stairs, 
this bumpy ride, 
the world above.
She smiles, buoyed 
by their curiosity 
which feels very close 
to kindness,
concentrates on
 squealing loudspeakers spewing 
unintelligible words
about her shoe,
 her bare stockinged foot,
 her life, her talent for missteps,
feels the cold grimy floor
 under pointed cramping toes,
convinced kindness has now turned to ridicule,
exposed and defeated
 before the day has barely begun.

“Rush Hour” by Anita Pulier  from Perfect Diet. Finishing Line Press, © 2011. Reprinted with permission.

Jeanne’s Poetry Jeanne’s Art Jeanne’s Published Work About Us while walking… Yesterday I fell into the evolution of iPod From Minneapolis to the WORLD The comic strip Peanuts made its debut on this date in 1950. The strip’s creator, Charles M. Schulz (books by this author), was born in Minneapolis, Minnesota, in 1922. In 1950, he approached a large U.S. syndication service with the best of his work, and he was given a syndication of eight local papers in a variety of U.S. cities. His strip was renamed Peanuts. The strip was an almost immediate success that expanded from its original eight newspapers to more than 2,600 papers in 75 countries at its peak. Today is the birthday of modernist poet, Wallace Stevens: Ideas of Order (1936), Owl’s Clover (1936), The Man with the Blue Guitar (1937), Parts of a World (1942), Transport to Summer (1947), The Auroras of Autumn (1950), Opus Posthumous (1957), and The Palm at the End of the Mind (1972). In 1916, Stevens moved to Hartford and took a job as an insurance lawyer with the Hartford Accident and Indemnity Company. He worked there for the rest of his life, eventually becoming the company’s vice president. His colleague Manning W. Heard said of Stevens, “He was at the time, and for many years before his death, the dean of surety-claims men in the whole country.” And Charles O’Dowd, an underwriter at the company, said, “His [business] letters were as clear as his poetry was obtuse.” Stevens walked two miles to and from work every day, and that was when he wrote most of his poetry. “I write best when I can concentrate,” he said, “and do that best while walking.” He would carry slips of paper in his pockets, and jot down notes, which he would later give to his secretary to type up for him. He published his first book, Harmonium (1923), when he was 44. Share this: Save More Edit

Be your enemy’s champion

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Champion the Enemy’s Need
by Kim Stafford

Ask about your enemy’s wounds and scars.
Seek his hidden cause of trouble.
Feed your enemy’s children.
Learn their word for home.
Repair their well.
Learn their sorrow’s history.
Trace their lineage of the good.
Ask them for a song.
Make tea. Break bread.

 

about William Timothy O’Brian:

 

O’Brien’s most famous book, a collection of linked short stories about the war, is The Things They Carried (1990). The stories blur the line between fiction and memoir; they feature a character named “Tim O’Brien” — but O’Brien the author insists it’s a work of fiction. He wrote: “I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth.” The Things They Carried was a finalist for the National Book Award and the Pulitzer Prize for fiction.
From The Things They Carried (1990):
War is hell, but that’s not the half of it, because war is mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.

Definition #3 Glee Spree

Have to post this masterpiece again

jeannepoland's avatarThe Vibrant Channeled Creator

Hallelujah

kemosabe
bark up wrong tree
climbing spree

barber
styled a weird goatie
clipping spree

music
strummed fancy free
mp3

off key
played me
discord spree

marquee
jubilee-cup of tea
glee spree

Jeanne Poland

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while there’s still time…

DemelsaHaughtonIllustration

illustrator: Demelsa Haughton

About William Stanley Merwin born this day , Sept 30th in 1927:

Merwin eventually moved to Hawaii and set about restoring a former pineapple plantation on Maui to its original rain-forest state, a painstaking and years long process.
He said: “I think there’s a kind of desperate hope built into poetry now that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there’s still time.
On writing, Merwin insists on regular practice. He said: “I’ve found that the best thing for me is to insist that some part of the day — and for me, it’s the morning until about two in the afternoon — be dedicated to writing. I go into my room and shut the door, and that’s that. You have to make exceptions, of course, but you just stick to it, and then it becomes a habit, and I think it’s a valuable one. If you’re waiting for lightning to strike a stump, you’re going to sit there for the rest of your life.”
He died in March 2019 at the age of 91.

Feeling

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A shoulder hug: Don and Jeanne

 

“All any feeling wants

is to be welcomed with tenderness.

It wants to resolve like a thousand writhing snakes

that with a flick of kindness

become harmless strands of rope.”

 

Geneen Roth

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