
right brain/left brain
right eye/left eye
create/calculate
wise/grounded
listen/adjust
Jeanne Poland's Poetry Blog
17 Sep 2018 Leave a comment
in Chip off the old block, Poetry Tags: ask Jimeny Cricket, becoming a boy was the beginning, Chip off the old block, how life with Pinocchio went, in Colorado, not the end, of trouble

in Colorado
Ask Jimeny Cricket
how life with Pinocchio went.
Becoming a boy
was the beginning,
not the end
of Pinocchio’s
troubles.
16 Sep 2018 Leave a comment
in Poetry
omg, I’m losing them already. They shake my upper arms and giggle” shake the flubber”
Grandma’s Can’t Keep Them on the Lap
by Olivia Stiffler
They disappear with friends
near age 11. We lose them
to baseball and tennis, garage
bands, slumber parties, stages
where they rehearse for the future,
ripen in a tangle of love knots.
With our artificial knees and hips
we move into the back seats
of their lives, obscure as dust
behind our wrinkles, and sigh
as we add the loss of them
to our growing list of the missing.
Sometimes they come back,
carting memories of sugar cookies
and sandy beaches, memories of how
we sided with them in their wars
with parents, sided with them
even as they slid out of our laps
into the arms of others.
Sometimes they come back
and hold onto our hands
as if they were the thin strings
of helium balloons
about to drift off.
“Grandchildren” by Olivia Stiffler, from Otherwise, We Are…
View original post 17 more words
14 Sep 2018 1 Comment
in cats, Poetry Tags: calligram and book cover by Jeanne, cats, collage by Jeanne, J Byron Schachner, Nicolaj
by Nicoloj

by J Byron Schachner

collage by Jeanne

calligram and book cover by Jeanne
13 Sep 2018 Leave a comment
in Poetry, sunrise Tags: Joy Acey, Kauai, Maine Coast, Neil Waldman, sunrises

Sunrise at Joy Acey’s Kapa’a Kauai.jpg

Neil Waldman

Maine Coast
12 Sep 2018 Leave a comment
in Calligrams, Poetry Tags: Calligrams, changing direction, dots, exotic shapes, Jan Petrucci, multiple sizes of chisel, points, pressure touches, textures

multiple sizes of chisel
pressure touches
changing direction
dots, points, textures
exotic shapes
.

by Sue Delp
11 Sep 2018 1 Comment
in Poetry, Spirit of the Wolf Tags: Fierce Spirit, Guard me as I move toward you, howl with me in my joy, lend me your primal strength, runs and leaps between the moss covered trees, show me the hidden paths in the moonlight, Spirit of the Wolf, stalks in the silent shadows, teach me, the wisdom of your eyes, to stand in defense of those I love, Waldorf School, Walk with me in my solitude, You who walks in the wildlands

Spirit of the Wolf was lettered by my grand-daughter at her Waldorf school
Spirit of the Wolf
You who walks in the wild lands
You who stalks in the silent shadows
You who runs and leaps between the moss covered trees
Lend me your primal strength
And the wisdom of your eyes.
Teach me to relentlessly track my desires
And to stand in defense of those I love.
Show me the hidden paths in the moonlight’
Fierce Spirit! Walk with me in my solitude.
Howl with me in my joy!
Guard me as I move toward you.
10 Sep 2018 Leave a comment
in circus, Poetry Tags: 6 bikes all different sizes, circus, clown-ride, forest, home-made ramps, pedaling a joy, performers, tights

the performers have an array of 6 bikes all different proportions and can clown-ride them around the arena of their forest alight on home-made ramps where tights make pedaling a joy!

welcome to our performance arena
08 Sep 2018 Leave a comment
in Ampersands, Poetry Tags: 11thcentury, 18th century, 20th century, 21st century, 27th letter of the alphabet, Ampersands, English, glyph, Hoefler, Ireland, Italian Renaissance, Our love affair with the glyph, per se, playful creative opportunities, Scotland, titles and names, type foundry in NYC
11th-13th CENTURY
Monasteries in Ireland and Scotland keep writing alive in the Middle Ages, but use their own shorthand symbols for “et” or “and”, explaining the variation in styles.

|
14TH-16TH CENTURY |
|
Italian Renaissance artists and writers create the glyph we most recognize and put it into common use for titles and names. |

18TH-19TH CENTURY
English school children learn it as the 27th letter of the alphabet. To distinguish it as a stand-alone character in recitation, they say “and per se and” which fuses together to become the name.

|
20TH CENTURY |
|
Jonathan Hoefler establishes a type foundry in New York City, which created ampersands in original typefaces commissioned by retail and media giants—The New York Times, Condé Nast, Rolling Stone, Tiffany & Co., Nike, and Hewlett Packard, to name a few. |

21ST CENTURY
Other famous typeface designers take a liking to the ampersand because of its playful, creative opportunities. Our love affair with the glyph continues.

the 27th letter of the alphabet (from Roman Times)